In this final commentary on Temporary Sudden Sexual Change in Partners Syndrome, or TSSCPS, what I hope to do is to finally convince the reader that this syndrome is no fabrication on my part. Truth is, more people both young and old are being victimized by its illusiveness. Still what it is and where it originates is a mystery. I believe that when you finish reading this final commentary on the subject you will be convinced undoubtedly that TSSCPS is real; and that we are all potential victims of its slyness.
This follow-up commentary is because of ongoing research in to the underlying or root cause, if one exists, which might be solely responsible for the onset of Temporary Sudden Sexual Change in Partners Syndrome.
What I have attempted to do so far is pinpoint any signs or symptoms, in films from 1920-1970, of soft porn and others close associated genres, which could help to define root causes only. Or, might be cause to suspect these [the causes that is] to be the outward growth of an internal psychological less developed or developing syndrome. Outward, means or most nearly means, the family unit and the social community by and large.
I chose seven such, very important films, to further prove my theory but will only offer three here for analysis. And now I am convinced that TSSCPS is real and does exist, and in fact external †force is an integral part of its being discovered. That when someone says they are not homosexual but heterosexual yet they had an encounter with another person of the same sex, and they can't for the life of sanity, understand how it happened or why, this is clearly a basic sign that TSSCPS might be the culprit for their unwarranted sexual change in behavior.
A geneticist would assert, as a consequence of what I argue in the previous paragraph, that there might be a gene that predisposes the sudden sexual change in partners. That however, is a horse pill I can't quite swallow, maybe not ever. This would be too simple an answer from scientists, to accept, formulated out of sheer scientific and philosophical supposition that the answer to all our problems lay within our genes. And in truth such an argument would not be unfounded or wrong. Yet I can't accept such a flimsy line of reasoning without being bothered by cases of suicide or abstention entirely from any further homosexual interaction by an individual, as a confirmation of their heterosexuality after only a sudden one time perverse sexual encounter.
I mentioned in the last commentary, I held the suspicion that TSSCPS might cause Schizophrenia. This, I still believe, even more so, now after I watched the three mentioned films to be examined. These films are all methods of subjugation in one form or another to break the will of an individual. You might be thinking, "Yeah, but this only proves that the will can be broken externally and not internally, so why would you suppose an internal syndrome is the fault of a chance encounter between a heterosexual male and a homosexual male, or two heterosexual males engaged in the homosexual sex act?" That is a very good and valid question, if the reader has it in mind. However, I do have an answer to it and what's even more astounding, I intend to refute it absolutely and prove that both internal and external forces are levers and not the source itself.
The first and foremost question I addressed was, "Could someone be forced into a life of homosexuality against their will, or were they somehow and by whatever means, genetically or biologically, born with homosexual traits, that bespeaks a genetic cause, or rather in contrast, internally, is something else at work here that we are yet to understand from a neurological standpoint and not a psychological?"
The first film I chose for examination in an effort to get at the truth to the aforementioned question for signs of TSSCPS was Olga's White Slaves of Chinatown. This movie, released in 1964, produced by George Weiss, so adumbrates the actuality of TSSCPS that I trembled when I saw it again, but as an adult this time, rather than a young boy from the 1960s. The fact that anyone can be a victim of TSSCPS, myself included, aided my efforts to pinpoint, what my suspicions told me. And in fact Olga's White Slaves of Chinatown to begin with, clearly points out a predisposed root cause. Yet from an external perspective only at this point.
Olga played by the late Audrey Campbell, who was born in Cincinnati Ohio, in 1929 and died June 8, 2006, portrays a mean female sadistic, sadomasochistic butch or masculine lesbian, with a mean streak for control and conversion. Incredulously, the films are based on fact and during a time in New York when opium had control of the town.
In Olga's White Slaves of Chinatown, Olga used such physical torture methods as, pillory, starvation, devices to crush the female victim's fingers, hanging upside down, hanging by the wrists, heat depravation, tying her victim up outside, half naked, to a tree and beating her with a whip or leaving her in the woods over night, whether hot or cold, for several days or longer to get her to submit, and if these cruel methods didn't work she then resorted to the opposite approach, which was, kindness, but a mean and sadistic form of it, to achieve a means to an end.
In every case I learned success in Olga’s organization was achieved by making the female victim a slave first, to establish who was in power, and only then a prostitute or lesbian in the aftermath, which meant this type of physical force and brutal procedure was almost always the means by which they submitted.
On several occasions Olga's appetite for lesbianism drove her in many cases to seduce her potential female slave for her own sadistic and evil pleasures. It was these particular cases that I focused on mostly. With each young female ranging in age from, 18 to 30, and near the breaking point, after being subjected to hours of constant physical pain, they succumbed in the end to Olga's sexual desires, but not without internal objections visual to the eye in the movie, yet it was clear, it was best to yield, and no longer put up any kind of fight if the female victim wanted to live. This is quintessential external force. Force similar to that used by the Nazis in Germany to get Jewish women to submit to whoredom without pay during World War Two, with the same end in mind if the female victim didn't submit: which was death.
Moreover, Olga used other more ruthless methods to get her female slaves to submit to prostitution and lesbianism. Yet these other methods were more psychological and subsequently more damaging then physical means in the long run, which often led to resentment and later potential rebellion or even suicide by the female slave.
Such psychological methods descriptively meant, possible advancement in the syndicate, working temporarily with Olga personally, or working with Olga's criminal male cohorts, all were used to passively persuade the female victim, to forego unnecessary physical violence, that it was best to avoid any further torture which would surely be more severe, and simply accept Olga's plan for her future which was prostitution or lesbianism or both in the syndicate.
Apparently, TSSCPS appears on the scene, when the female victim is seduced suddenly by Olga herself. Of course it is not sure if any of these women were ever involved in homosexuality prior to their association with Olga, or, if any had ever been involved in a homosexual affair in the past. Still if any resistance on the female victim's part was apparent, then I conjectured they might have been devout heterosexuals. Furthermore it is hard to speak with anyone Olga sexually exploited today. Therefore, for the most part I can only presume, based on the film, what might have been the case, in connection with TSSCPS.
Drugs was another means of subjection. However with drugs, such as marijuana and subsequently opium, submission became easier for Olga to achieve. She often allowed her henchmen, drug addicts too, to handle the potential female upstarts. Once hooked, often not on marijuana but opium, they usually, according to the film, carried out Olga's wishes and became traveling syndicate prostitutes, or what I call, have-cunt-will-travel, from anywhere in the USA, to Europe and all parts of Asia, in exchange for feeding their drug addiction.
Emphatically, sex with men alone was not the main reason for the crude methods Olga used to get the young women to submit. They had also been primed for lesbianism. And it is almost certain, over time, they suffered from TSSCPS as they got older. Although they were bound to the syndicate for life, still it is a fact I am sure, they had repressed memories at some point in their lives from having sex with other women, since physical force proved to be the reason they submitted to lesbianism in the first place invoked by Olga herself, when by nature, most of the young women were in fact heterosexual.
Up to this point, I have been using women in most of my research to find any symptoms of TSSCPS, but men are, as well as were, also victims of this type of conversion no doubt. I found evidence of this in the movie with Gael Garcia Bernal, called 'Y Tu Mamá También' or ‘And Your Mother Also’. It is so close to a classical case of the syndrome as it occurs from an unforced, internal perspective, that I quiver every time I watch the movie. Bernal and his young Mexican teenage male cohort, Arturo Rios, go on an adventurous trip accompanied by an older female Spaniard, from Spain on vacation in Mexico city.
At some point in the movie we find they are all three together engaged in a sexual threesome spurred on by alcohol and marijuana. It is at this time that Temporary Sudden Sexual Change in Partners Syndrome occurs. Bernal and Rios suddenly and without warning engage in homosexual kissing and fondling as their older female Spaniard companion watches. The director doesn't take it much further then a superficial exposé of two Hispanic males involved in the beginnings of the male homosexual act. Nevertheless, I got the impression that what I didn't see, in the aftermath, might have connoted, Bernal and Rios actually participated in the homosexual sex act itself.
However, it clearly proved almost undoubtedly that TSSCPS, can occur from an inward to an outward direction, meaning that something, whatever that something is, lay underneath in the heterosexual's mind or frontal lobe that might be responsible for the sudden change in sexual behavior. Bernal and Rios were heterosexuals that was a fact established from the beginning of the movie. And without any expectation on the part of the movie-viewer, such compelling turns of events later on as I've described, aids in how illusive the syndrome can be. Did they have repressed memories down the road is anybody's guess. But from what I know about heterosexuality and heterosexuals, they most likely did, since at the end of the movie they went their separate ways.
Moreover, the trick the mind plays on the actors involved, to cope with the sudden character change, as I mentioned in a prior commentary dealing with this subject, doesn't file the illusion away but rather on the contrary, files what really and physically happened instead. And it is when you have totally forgotten the perverse sexual experience, that the mind decides to regenerate the whole affair, for whatever reason, at some unwanted point in time, but in the way it really and truly physically occurred. The mind will even recall the image of the person you were involved with in the homosexual act. Just another wicked torture trick to get you to either accept what you did or to contemplate other more severe means of stopping the repressed memories, even the idea of suicide, which some of Olga’s slaves in the end ended up doing being unable to cope with the lesbian behavior.
Types of Force which might be responsible for TSSCPS:
(1) Physical force (external)
(2) Psychological force (internal)
(5) Nonconformity or conformity
(6) Drugs and alcohol
(7) The threat of extermination
Nonconformity in the above list means, you the victim fail to do what everybody else is doing. For example, in a sex orgy, spurred on by drugs and alcohol, members might find themselves, depending on how wild things can become, engaged in sex with persons of the same gender to heighten the excitement. If so, then it is also a sure sign, TSSCPS is operating under these ideal circumstances. Nevertheless, the nonconformist might be lured into participation, even though, he or she prefers the sidelines as the orgy becomes more sexually explosive, simply by watching individuals of the same gender sexually interact with each other and themselves being sexually aroused by the visual and psychological activities occurring before them.
Several weeks ago, I read an article online that claimed no one can be forced into homosexuality. I believe the person who wrote such an article must have been a homosexual, maybe a so-called homosexual psychoanalyst or perhaps a homosexual psychiatrist, only God knows. If so, this guy or gal is totally wrong, and the above evidence so far proves this unquestionably.
The Nazis are clear and precise proof that force was used to turn Jewish women into lesbians, while they sent male Jews and Germans, convicted of, or suspected of homosexuality to concentration camps to do hard physical labor until death. Yet even in the concentration camps TSSCPS most definitely operated under whatever circumstances since there was absolutely no privacy whatsoever, and in addition, both heterosexual & homosexual prisoners all lived in the same forced labor camps.
What is an historical fact is, many Nazi German high officials were suspected of or proved to be homosexual. Such renowned figures as, Gerhard Rossbach, ††Ernst Roehm, Albrecht Becker, Karl Gorath, Gad Beck, Pierre Seel, French, were all charged with the practice and lifestyle of homosexuality under paragraph 175 of the German Criminal Code adopted in 1871 to 1994, which in 1907 was amended to make lesbian acts punishable as well. (Paragraph 175: Wikipedia)
TSSCPS probably had something to do with most of the German high officials mentioned in the above paragraph. I am forced to label them bisexual because of their ability to be masculine as well as effeminate in the German Wehrmacht. It would appear this reality did not bother Hitler nor did paragraph 175 apparently apply to all Germans especially to officers of the Third Reich. Furthermore their is little evidence that Hitler himself was homosexual although some historians have claimed he was. Nonetheless, the syndrome I am sure found a haven in Nazi high circles.
Prison today in America is another breeding ground for homosexuality, and a very popular one, kept quiet by state governments for far too long. In terms of society, the breeding, directly or indirectly, of homosexuals, should be discouraged completely. The problem though is truthfully, practicing homosexuals rarely come out in the open unless they are the effeminate types. Others such as those who are in politics or work in some capacity where a male image of masculinity is mostly exploited, are usually silent. In this latter characterization, it is what goes on behind the scenes in male political circles or other similar majority male milieus, such as sports or the military, that is troublesome for those who are confused about the practice of the culture and homosexual lifestyle and what a homosexual really is, or how to define this individual.
In the movie Love Camp 27 1977, the late Sirpa Lane, was moved into the German captain’s villa from the labor camp or Arbeitslager, because she would not have sex with one of the female German officers in charge. In one scene, she and the captain are having sex. But not ordinary sex. The captain is playing the role of a submissive female, dressed in women’s clothes, while Sirpa is dressed as a male German officer of the high command, with a whip, she sadistically beats the German captain while he psychologically carries out his sexual fantasies in his perverted mind in pain and agony. Sirpa tires of the game and decides to stop with insults of distastefulness on the part of the captain, who in the aftermath is angered and resents Sirpa’s reasons for halting the game.
Certainly the German captain was bisexual while Sirpa was heterosexual. But even more then this, he had become or his sexual perversions, uncontrollable. So much so, he began to force Sirpa to take full part in his twisted sexual fantasies. So clearly, it is believed homosexuality was widespread and practiced throughout the Nazi military machine in spite of paragraph 175 during WWII.
Olga, played by Lucy Eldredge, in the film 'Dance Hall Girls' was highly involved in voodoo, black-mask black robe parties and devil worship or sacrifice. I know this sounds sick or ridiculous but it isn't and wasn't during Olga's day in the 1950s and 1960s. Furthermore, this isn't anything novel. Fifth century B.C. ancient Greeks during the time of Socrates were immersed in the practice of casting spells on Athenians or conjuring up demons to attack a nonconformist victim. Such methods of force, where the invocation of evil spirits are used, are a sign of just how far these types went, and are willing to go to achieve their goals.
That is to say, homosexuals as well as lesbians, seek out their prey. A homosexual pedophile is a good example of this. It is not unreasonable to state that these practicing homosexuals or lesbians often desire sex with heterosexuals. This does not mean they are bisexual, this means they are in the practice of conversion by any means depending on how much they like their potential recruit. Olga's lesbian nature, made use of this in 'Dance Hall Girls'. TSSCPS though less apparent under these circumstances, was still grounded in white and black magic.
It is obvious sex for many men and women is more than the act itself to bring offspring into the world. It is something that defies explanation with the limitations for stimulation and gratification found lurking only in the minds of the individual and how far they are willing to go.
In the latter part of the movie one of the girls arrives to become accepted into the inner circle. She had to participate in a black-mask black robe party in which a sex orgy took place between two women and one man. This meant the potential and actual probability of a change of sexual social interaction between the two females and one man was a ratio of 1:2. This meant each woman interacted socially and sexually with the man once, while with each other the ratio was 2:3, which meant for every one chance social and sexual interaction with the male, the chance for the two women to socially and sexually interact with each other was twice as many times. This meant the probability to trigger TSSCPS increased by a factor of two with every female to female social sexual encounter which was possible.
After the orgy was over, initiation took the female initiate to a voodoo sacrifice, in which she was sacrificed to, in ritual only, the evil god Satan: forever.
This type of insanity still goes on today in 2011. Sex in this regard has reach, I'd say, a level of absolute repulsiveness. Casting spells on people is still popular and still practiced by cult members whatever the cult, social group or organization. This method, worst of all, can be used to induce TSSCPS, I am sure, into a heterosexual victim slated secretly for homosexual initiation by some homosexual clan or homosexual or bisexual secret organization, who are in the practice of white or black magic or both.
In Olga's 'House of Shame', played by Audrey Campbell once again, the barbarism continued to an even more brutal degree of subjugation for prostitution and lesbianism under conversion. Producer George Weiss and director Joseph P. Mawra aimed to direct the viewer to what the power of torture and abuse can do to a person and what it will make them do, to halt the brutal physical abuse.
In this third movie I discovered how torture, physical force, not only brought the girls under Olga's will, but with the help of some of Olga's female dancers as an enticement tool, conversion to lesbianism, by visual psychological means, induced the desire for a same sex partner, TSSCPS. These female dance-watchers, taken by the movie-viewer to be heterosexual, were stimulated by the erotic movements of another female cohort, and began to react aroused by removal of their clothing. This stimulation came solely from the watching of a female dancer of their own gender. TSSCPS I would venture to pose had been unlocked in these female’s minds.
Olga had done it. She had used torture to activate TSSCPS in her female victims, for more then prostitution. So much so, she too, a lesbian, got involved, while the heat was on and the dance-party carried on. Remember now, these were heterosexual women before Olga got hold of them. Their sexual orientation was heterosexual.
In summary, this terrible syndrome, or the origins thereof, might be found latent in all of us like the universal emotions rage or fear. How to activate it could be all that is needed to change a perfectly normal heterosexual male or female into their homosexual opposites. That is, into their anti-heterosexual selves like matter and antimatter. However it is safe to say that this does not mean the victim is homosexual, unless he or she engages in the practice of the culture and lifestyle itself in the aftermath. Still TSSCPS is problematic as I have proved. The fact that it can cause the onset of repressed memories, could spell trouble for a sensitive individual, who has totally wiped out any trace of their misdeed or deeds, or so they believed. Olga clearly helps us to see and recognize how and why heterosexuals could become homosexually orientated when they are anything but homosexual. If there is a way to get at this syndrome, scientist must find the answers before it begins to spread like a cancer and threaten heterosexuality permanently.
†More about the subject of force and the different types of force, will be taken-up over time in the commentary as we examine the causes of TSSCPS.
††Watch the documentary, 'The Life of Adolf Hitler (Full Video) in English for facts about these German Nazis.
Hermann Goering, drug addict
Biography - Wesley McCants
Disabled Vietnam Veteran
In addition to writing commentaries, poetry and novels, I am one half of the macbrothers, Inc. We are songwriters and not artists or performers. We write music for others to perform or record. I do not do tours since I am not an artist. Like I said, we write & record our own songs and release them for purchase online. However, we are interested in nonprofessional or professional artists seeking songs. If you are an artist interested in songs for your album please email me. I will send you the demo and lyrics (and any changes to the lyrics), or you can listen online to our songs readily.